Monday, April 8, 2019

Origins of thinking about painting 1970's-1980's

 

Mike 2019 with an almost 30 yr. old painting made in the 1990s.
Acrylic and oilstick on canvas



Experiences in nature and real world continue to be of great interest....many subtle things and some not so subtle. Working in restaurant at night and notice that when waitress wearing a certain color dress goes from one room to another and passes through hallway with a particular light I see a violet after image....Watch carefully and see this is not my imagination but something REAL. 
Experience interesting visual things while on lake in fog after all night fishing trip. Objects floating in water....forms dissolving and appearing in light, fog and water. Eyes straining to determine what is water, objects, land, sky. Near and far become indistinguishable. I am sitting in woods early morning in dark as colors shift and appear as sun comes up. Begin to perceive ambient colors in certain light situations. Working on a construction job in grocery store at night using blue snap line and am amazed at vibration of blue chalk on a brown board in fluorescent light. Decide to make some paintings using snap line. 

Influenced by Robert Irwin's "Seeing is Forgetting the Name of the Thing One Sees" (title alone is  thought provoking). Gist of book is that artists must PAY ATTENTION and be OPEN to visual and other stimuli. Encouraging people to look beyond traditional art forms and move toward experiences as basis for art. 

Begin to investigate other options for recreating/creating optical phenomena using hardware store items rather than artist paints. Make first screen works (moire patterns) and reflected light type works using fluorescent spray paint. Start making fluorescent small stripe paintings and also make large encaustic works investigating sheen (matte and shiny) using graphite and charcoal. 

Purposely avoid using color or forms or titles that recall nature or are "lyrical". Want something straightforward, workmanlike. 

-written in early 1990s









Monday, April 1, 2019

INVITATION





 What excited me about painting?
  
-Color relationships and the activation of the rectangular format of the canvas. 

-The exploration of the sculptural elements of painting, the relationship of paint to surface, color to surface, the actual three dimensional canvas to the wall and to surroundings and to actual light and the desire to make an object that is compelling from a distance and also up close. 






Night Garden, 55 x 40", oil on 3 canvases, 2019













Milkweed, 55 x 40", oil on 3 canvases, 2019














Friday, March 8, 2019

Thursday, January 31, 2019

Dark Underpainting







Lackawanna Dawn (triptych), 21 x 21" ea., oil on canvas
   









Monday, January 21, 2019

7 degrees outside today and windy


 vibration

 dovetailing of surface and color














  The subject is becoming perception. 

















Friday, January 11, 2019

Direction








Oil on canvas, 20 x 20", 2019






Oil on canvas, 20 x 20", 2019












Wednesday, January 9, 2019